Tuesday, 22 October 2013

Gig Review - Alter Bridge (w/ Shinedown and Halestorm)


Yeah this is something I thought could be cool to do; after all I am somewhat of an avid gig-goer and like to attend as many as possible and have done so for years now.
So it was last night, Monday the 21st of October and the bill reads like a who’s who of modern radio metal. You have openers Halestorm who have made themselves one heck of a name in such a short amount of time – watch out for them cause they ARE the future stars! Then we go to Shinedown, a band that frankly have become massive since their 2007 release ‘Sound Of Madness’ and for the life of me I have no idea how it happened (I don’t mean that in a bad way), it seemed to happen overnight, and then the big guys, the headliner act tonight was Alter Bridge; a band that I think is best described as this generations Guns N’ Roses – they’re massive and they’re just gonna get bigger!

The cold rainy night outside was illuminated by the green and blue lights of the newly built and newly opened (like literally a week before or something) Scottish Hydro Arena and inside it would hold possibly the most anticipated concert all year for rock and roll fans.
Walking in the arena is awe-inspiring, the hall itself wasn’t too big either, frankly it was smaller than I expected and smaller than a lot of these big arena type venues. It wasn’t long after doors opened that we got our first earful of noise coming from up-and-comers Halestorm. Out stepped this leather and denim clad group of guys you’d expect to see playing these types of show but then out bursts the lead singer, still clad in denim and leather but being female rawker Lizzy Hale.
From the get go all I could think of was bands like Val Halen and Whitesnake, the proper 70s and 80s glam rock – they didn’t have the appearance of it all, but the sound and her voice especially so harkened back to the days of “Jump”. Their set was short enough, they didn’t out-stay their welcome which is something support bands can sometimes do, but Halestorm did what they were supposed to do; they got the crowd ready and warmed up for two bands that are arguably the biggest two bands in modern radio rock/metal. Just to say though, Halestorm will be huge, although still fairly new and fresh they play like a bunch of pros, they don’t shy away on stage and sure as hell don’t fumble their words due to the mass of people watching. They will be the band that takes over the likes of Alter Bridge and Shinedown in 10 or so years.


After a brief, but not too long break to set stuff up the crowd was treated to Shinedown, now I just want to say this is a band I have followed since the very start, the days when they played clubs, hell I remember seeing them announce a show at this small club (King Tuts Wah Wah for those that might know of it) just a few years ago but passing cause I legit didn’t expect anyone to be there. Now 5 years later their here playing this brand new arena, it’s crazy how fast bands can pick up and take off, and like I said above I literally have no idea when or how it happened – it seemed it was with the release of ‘Sound Of Madness’ (a release I was looking forward to so much, I remember gushing over the first reveal of “Crow And The Butterfly”) and just out of nowhere everyone loved them. Sadly with this (and lead man Brent Smiths personal stuff) their music changed from heavy rock to more ballad, almost all softer sounding stuff. They did open with “Devour” though, which tore the building apart, they raced on and broke it DOWN!! Brent’s vocals sounded so raw but so much like they did on record, he had this great presence, again a band that isn’t shy of the sheer mass of people. One thing that did kinda get me and maybe this is just me being an obvious Eighteen Visions nut, but he did look a little too much like an Obsession-era James Hart, decked out in his shirt, waistcoat and suit trousers. But they played a great show, I mean obviously they played a lot of new material which is softer so it wasn’t all to my taste and Brent did like to preach a lot, maybe too much to the point they were starting to outstay their welcome with the crowd, but you couldn’t dis his singing ability (or the instrumentals either), both sounded crisp and so sharp. If they had played maybe some more tracks from ‘Sound Of Madness’ and a few more oldies I would have been much more happier about it, but if you were a fan of them in the current day then I bet you enjoyed the fuck out of it all.


Another standard break, but again nothing that was unbearably too long, and we were then greeted with the ear-piercing voice of Myles Kennedy (Alter Bridge frontman). Playing an incredible 18 song set, the band was able to condense their now decade-long career down to a 90 minute show including all their hits, a nice blend of hard and soft and striking a great balance of old and new material. As usual Alter Bridge’s sound was out of this world good, they clearly have a damn talented team behind the scenes cause they are the sharpest sounding band I have ever seen live: it’s almost identical to their CD stuff.
The first half was almost entirely tracks from the new album ‘Fortress’, which is as always an album where Alter Bridge deliver on major riffage, expand on the current genre and all in all just produce a damn great album. These new rippers came across so well with the crowd; everyone was into them as though they had heard them hundreds of times before. The second half saw a more classic Alter Bridge set played, with jams from all 3 previous Alter Bridge albums having equal weight to the set – it always astounds me how Alter Bridge still play songs from their first album, I literally can’t name another band that has the experience of AB that still play songs off of their first album. Classics like “Ties That Bind” and “Open Your Eyes” get the crowd dying for more, and a track that has become somewhat of a staple of an Alter Bridge show “Metalingus” offers the best 4 minutes of the entire night, everyone in the crowd is waiting for it all night and it even sounds like the band itches to play it all night too; when it was played the crowd erupted, hearing Myles screech and saunter around the stage is just an amazing sight.
The night came to a close with an acoustic version of “Watch Over You” performed by both Myles and Lizzy Hale: somehow a moment that could’ve been sappy wasn’t, if anything it seemed to be a perfect start of the end. From here the band dove back into their bag of oldies pulling out 3 more tracks, one from each previous album, sending the crowd home more than happy.


Verdict-wise I’d say that the price I paid for this was well worth it, I mean I kinda wanted more from Shinedown, I didn’t expect to hear “Fly From The Inside” or “I Dare You”, but I just wanted more I guess. In all though I’d say it was a super fun show, and if you ever have a chance to see any of these bands, in particular Alter Bridge, do yourself a favour and go for it – it’ll be the best money you spend in a while.

Sunday, 20 October 2013

Track Of The Week: Cancer Bats – “Sonic Mind Assault”




So cause I've got a gig tomorrow night, which is when I normally like to do these and upload ‘em, I thought I’d do it today so I didn't miss it (plus I’m hoping to get some sort of review up on the gig on Tuesday or something).
This week I’m staying with the vibe of hardcore punk and go with the Canadian rockers, Cancer Bats and one of their bonus tracks of the latest re-release of ‘Dead Set On Living’. The original album I thought kinda lacked, it seemed to go down the route of more pure metal and lost what attracted me to the Bats from the start, which was their punk edge. When the album was re-released a few months later though, they added a bunch of new tracks (as well as a haul of Black Sabbath covers under their alter-ego band Bat Sabbath) and these tracks really pulled back this punk edge, and seemed to be packed full of the hardcore feeling the tracks on ‘Hail Destroyer’ had. The one stand-out of all of these extra tracks has to be “Sonic Mind Assault”, a song that seems to call-back to the days of ‘Birthing The Giant’.

Like I said, this track does seem like it comes from a different vein than the majority of ‘Dead Set On Living’, this one sounds more akin to what we heard on early albums like ‘Birthing The Giant’ and ‘Hail Destroyer’; faster and louder tracks as opposed to longer and more metal-sounding riffs. The most note-worthy thing about “Sonic…” is the fact that it doesn't even hit the 2 minute mark (heck it barely hits the 100 second mark) making it the shortest Cancer Bats track since “Pray For Darkness” from the ‘Hail Destroyer’ album.
The track starts off with some sludgy as hell guitar riffs, and dives straight into the vocals from there, showcasing frontman Liam Cormier’s screaming abilities more so than any other song has ever; these screams are visceral and come straight from the pit of a dark-man’s soul. I personally have never heard Liam scream with so much fury for such a length of time ever, he literally keeps it up for virtually the entire song, that’s some feat for anyone!


Instrumentally the song is chaotic; crashes and bangs, drum smashes and guitar thrashes, this song sounds like a car-wreck. I don’t mean that in a bad way either, it complements the screams of Cormier perfectly - you could even say that it justifies the out of character guttural vocals.
The instrumentals are also so damn fast, so fast that the song finishes before the listener even has a chance to totally get into it; everything is 110 miles per hour in it, loud and fast! This could be a bad thing for people that aren’t used to this style of song (I suppose we can call it the Ramones-style), but for those that are into it and understand it, damn are you gonna love it and just eat it up again and again. The main background melody is incredibly groovy too, guitarist Scott Middleton really keeps this tune going and creates somewhat of a backbone for the entire song with this repeating line. Also, I don’t know if it’s just me, if it’s deliberate or even just my speakers but this line really does sound louder than everything in the song; if it was a mixing thing or whatever, I don’t know it just seems like this line really does take center-stage. Another thing that’s pretty interesting is that there’s no real breakdown, for a hardcore song that’s strange, but then again for a song that really does travel at lightspeed it’s understandable.

“Sonic…” has actually gone on to become something of a fan favourite track, already making its way into the bands regular gig setlist, which is pretty rare these days for a band to include a b-side into their show’s set. One of the biggest contributors to the quick assentation to popularity this song has taken on is the music video that was created by bass player Jaye Schwarzer, a short (obviously) video made up of classic horror movie clips and stock footage. It’s weird, creepy and suits the song down to a T. I’m no film student (game student actually) but the quick cuts really do aid the song, even making the song seem MORE frantic if it’s even possible – Jaye really did create a great video here, not only does it do what a music is supposed to, which is to be addition to the song (not making the song secondary), but it’s also clearly worked as a great marketing tool as well.


This song, though not being an official single or even an original album track has seemed to grow to be one of Cancer Bats most loved jams. It pulls in all the forces of a Cancer Bats song, hell in a way its Cancer Bats condensed and stripped down to what they have always been and what every song they record will ever be; it’s loud and it’s chaotic. You can add on length, you can add on solos and you can add in guest vocals but in the end Cancer Bats will always be a fast hardcore punk band and this song demonstrates this so damn well.
Right now Cancer Bats are raging through their own country of Canada, touring like they always are, if you’re a fan of the band or even if you've just discovered them because of this review and song, believe me you’ll have the opportunity to see them soon enough, and I suggest that you do; their live shows are second to very VERY few and you’ll always have a good time.
Until next time: Peace!


“Sonic Death Assault” is available at the link below from iTunes, however as always you can get the track at pretty much anywhere that sells anything.  You can obviously also buy it on CD - the Deluxe Edition of 'Dead Set On Living' is out now, so get a hold of it if you like physical stuff.

If anyone is interested in taking the reigns for next week or any week, hit me up on the Facebook page.

Monday, 14 October 2013

Track Of The Week: Fall Out Boy – “We Were Doomed From The Start (The King Is Dead)”




Time for another instalment of Track Of The Week, and this week I’m looking at a new release that if you’re a fan of the Ghostchant Facebook page (like it if you don’t) you’ll know how much I’ve been digging.
This week see’s the release of the new, and poorly advertised if I’m honest, Fall Out Boy EP titled ‘Pax-Am Days’. This release is getting a lot of talk (from the few that know about it) for two key things; one is that it’s produced by Ryan Adams and was recorded in his LA studio and is released under his label, ‘Pax Am’. The other is that it harkens way back to the days of hardcore punk music, something the band has lost focus of since their early releases.

The words “fast”, “loud” and “punk” are words that have been words lost to Fall Out Boy fans for years, hell it might be a stretch to say that the band has NEVER recorded anything this brutal or hardcore ever. Now, I know I said “brutal” and obviously they haven’t totally changed into some metalcore/deathcore band with this release, no this still has the classic Fall Out Boy charm and flourish, only difference is that its faster, louder and yes, more punk.
The track “We Were Doomed From The Start (The King Is Dead)” is what I’d say is the stand-out track, maybe add “Love, Sex, Death” in there too, but the rest do however seem to sound like filler; not to say they’re bad, but just seem to work and be there as opposed to doing anything major for the album.
This track is fast, clocking in at just over 90 seconds, and 15 of those are a voice-over sample at the start! The pace is so rapid, after the opening sample the bass instantly starts chugging the classic punk 3-chord and doesn’t stop. Its loud too, the guitars aren’t complicated, it’s a simple sounding thrash of those punk chords again and Stump’s vocals blister the sonics trying to keep up with the frantic guitar, bass and drum smashing.

The vocals of the song are VERY minimal, with only a few lines alternating away from the shrieks of “The King is dead!” . One thing that really stands-out too about the song is that even with this insane bass line throughout and the rest of the punk-sounding instruments is that they don’t really sound punk, if that makes any sense. This kinda goes for the entire album, but the entire thing still sounds punk-pop somehow, I mean they have the hardcore sound, it’s totally punk but in a polished, more commercial sense. No hate from me, I guess when you’re a massive band like Fall Out Boy you can never really do “DIY punk”, can you, it’ll always have this sense of polish and style to it.

The best part about this entire track, for me at least, has to be the bass line that Wentz pumps out and keeps in the forefront of the entire song; this is in no way surprising, Wentz I think has always been a hardcore (even metalcore) guy at heart, go listen to his early work, especially the band Arma Angelus. Like I said, the instrumentals seem to almost be impersonating those of a hardcore punk band, but still they do have the sound and substance to there, they clearly know what they’re doing and HOW to do it. This does fall-over to the vocals of Stump too, though he doesn’t like a Rollins, a MacKaye or a HR, his voice still sounds like it’s always done, but it suits the music; like everything about this track (and EP) it makes sense.

In the end of it all, this is a release that sounds enough like Fall Out Boy to keep their current fan-base interested and excited, yet is different enough that it entices and brings in people that have fallen out of the whole Fall Out Boy thing.
It has the hardcore elements and punkness to it that it’s hard and loud but it’s got the polish and style to keep it in the realm of what is acceptable for the band’s sound. The whole EP is a work of art, and that’s coming from someone that really did hate ‘Save Rock N’ Roll’, but somehow the band has rectified this and made a hell of a go at taking a different route, even if it’s just with this one release. And that’s the thing, I’m in no way expecting to hear this become the “new” Fall Out Boy sound; I’m not gonna go into the next album expecting an OFF!-like album full of 60 second songs. No, I see this as just a fun little release by a bunch of guys that maybe wanted to release a record that showcased this fun; what would be nice is that the band take some aspects of ‘Pax-Am Days’ and try to apply it to future releases, not to change their sound but just experiment. 
There is a place for hardcore music in today’s world, if nothing more this track and release proves this to be fact.


“We Were Doomed From The Start (The King Is Dead)” is available at the link below from iTunes, however as always you can get the track at pretty much anywhere that sells anything.  There will actually be a limited vinyl release of the entire album at some point too (sorry, not too sure when).
 

If anyone is interested in taking the reigns for next week or any week, hit me up on the Facebook page.

Sunday, 6 October 2013

Track Of The Week: Vera Cruz – “Break The Lies”



Last week I looked at a track that was totally out of my comfort zone and like I said during the review, it was almost the stark-opposite to anything that I had done before on the blog. Now however I think I’m gonna go back to some familiar ground and cover a track more in vein of the hardcore/metalcore that I have tackled before; Vera Cruz’s “Break The Lies”.

So, to start off I’m guessing very few (if anyone) reading this even knows of these guys, let me fill you in; these dudes are a French band that rose to popularity on the underground scene because of raucous live tours with those Canadian work-horses Cancer Bats. They are fuelled with the same fury that these guys are and even have a similar sound, maybe the only difference being that the vocals are more influenced by punk rock whereas the Bats’ are more akin to metal.
These dudes are real nice; I think I’d say I’ve become one of their biggest supporters and news spreaders, hell I’d even say that I’m a mega-fan and a friend of the band. I remember reading about these guys when they were announced as the support for a Cancer Bats show I was going to in 2010. They had this EP up on their MySpace site for free, ‘Surviving Farah Fawcett’ which included 4 tracks so I went ahead and downloaded it, see what these guys were about. I was instantly blown away and ended up like throwing this download at my mate that was going with me to the Bats show and told him to listen. We were both in awe, and ended up being just as psyched about seeing Vera Cruz as we were to see the Cancer Bats!!
The show was excellent; the venue was this tiny bar and was packed full of 300 sweaty hardcore punk men ready to spend the next 2 hours banging into each other and they had the right bands to go it to. This was the gig that made me addicted, and there’s this one moment that stands out even to this second that I don’t think I’ll ever forget: then lead singer Flav got straight into my face and we both screamed at each other, it was something that changed music for me from being a nice pass time to a necessity. Their set ended with a bunch of us in an on-stage mosh pit and embracing the band, accepting them into this world of acclaimed hardcore, I know for a fact that the band cherish this performance and see it as a welcoming (and invitation for as many future shows as possible) to Scotland.



So now that’s been done, lets actually look at the track; “Break The Lies” comes straight from the band’s first (and so far only full album release) ‘Skinandteethandnails’, released in 2012. It’s actually a re-recording of a track that was released about a year earlier on the EP ‘Rise And Deny’ under the title of “I4NI”; mind you not too much is different apart from a shortened intro and better quality of recording.
In my honest opinion I’d go ahead and say that it’s the heaviest track that Vera have ever recorded, and I’d even say that it’s probably the best song they have in their arsenal. Record-wise its easily a stand-out track; it’s one of few faster, more non-stop 80’s hardcore-like tracks on ‘Skinandteethandnails’. When it comes to live shows, having personally heard this jam live (and even sung the last part *yep, I’m shoe-horning in an achievement haha*), the fast quality the song has in its recorded format really pushes through when played live, the fans need this and it goes over much better than a more methodical and slower type of hardcore song. To put its importance into a simple way of thinking; Vera Cruz playing “Break The Lies” live is like Black Flag playing “Fix Me” or “Nervous Breakdown”, it gets the crowd going and moving which is obviously imperative to a hardcore punk show.

The instrumentals of the song really are heavy and fast; the guitars chug along and just seem to speed everything up and keep a sense of urgency going through-out the entire 3 minutes and 23 seconds. The drums do an even better job of this, with the frantic smashing of the skins hammering through, the speed of these are seriously something that needs to be heard. To complete this sense of velocity the vocals given off by former lead singer Flav are simply beautiful, he screams like his life is depending on it; from the opening beat to the final guitar strum Flav’s voice is almost constant in this track.
Keeping up this speed isn’t easy, especially in a genre where breakdowns are something that’s a must, and yeah this song has breakdowns used to slow the song down but somehow the band literally blow right through these and seem to not stop or slow down at all. It’s something I’ve never seen or heard before, the song slows down but doesn’t!


Lyrically I can only assume that “Break The Lies” goes to cover the subject of revenge and going out for yourself by taking back what is yours. As always with lyrical interpretations this is something that I’m doing by just reading the words and taking out what I get, these in no way are definitely what is trying to be conveyed. Obviously the fury of the delivered vocals and the overall sound of the song also help thrust this idea of revenge and maybe even barbaric revenge forward.

Like I said before, I’ve heard/seen this track performed live and it really is a sight, hell this band live as a whole is a sight that if you EVER get the chance to see them, do yourself a favour and go. Keep in mind this was with former lead man Flav, I haven’t seen new vocal man Thierry Ruiner shred his throat yet (but I will next month), but the energy that was given off during this song was amazing. Flav seemed to spend more time in the air than he did on the ground, guitarists Florian and Greg explored the stage to the fullest, with Greg reminding me of Greg Puciato of Dillinger Escape Plan with his climbing of amps and jumping into the fans and taking to the back of the room to rage. Not missing out drummer Yoann, obviously drummers don’t get the chance to give off much of stage presence but the playing was top-notch and seemed to go even faster than the recorded version.

Vera Cruz ARE the future of metalcore; they are slowly but surely building a fanbase and reputation for being a kickass, no nonsense band (both on-stage and off) and really do have what it takes to conquer the hardcore world. This song is just the tip of it all, they have a new record coming soon from what I understand and with a pretty major UK tour starting up next month, these French dudes are clearly putting the work in and we’ll see what happens in 5 years or so when bands such as Every Time I Die and Converge are maybe winding down and see who takes over: I’d bet all that I have that Vera Cruz will be up there.


"Break The Lies" is available at the link below, sure you can buy it from iTunes but Bandcamp is more beneficial to the band so that's why I'm using this this week, but its also available from pretty much any site the sells anything these days too (including iTunes).
 

If anyone is interested in taking the reigns for next week or any week, hit me up on the Facebook page.